The girl flushed with pleasure. It was a striking face, with intelligent eyes and a mobile, sensitive mouth. “Oh, yes,” she said, “I could act all right. I feel it. But you don’t get out of the chorus. Except at a price.” “There was an old Egyptian chap,” he said, “a governor of one of their provinces, thousands of years before the Pharaohs were ever heard of. They dug up his tomb a little while ago. It bore this inscription: ‘In my time no man went hungry.’ I’d rather have that carved upon my gravestone than the boastings of all the robbers and the butchers of history. Think what it must have meant in that land of drought and famine: only a narrow strip of river bank where a grain of corn would grow; and that only when old Nile was kind. If not, your nearest supplies five hundred miles away across the desert, your only means of transport the slow-moving camel. Your convoy must be guarded against attack, provided with provisions and water for a two months’ journey. Yet he never failed his people. Fat year and lean year: ‘In my time no man went hungry.’ And here, to-day, with our steamships and our railways, with the granaries of the world filled to overflowing, one third of our population lives on the border line of want. In India they die by the roadside. What’s the good of it all: your science and your art and your religion! How can you help men’s souls if their bodies are starving? A hungry man’s a hungry beast.!

And suddenly something lying hidden there leaped to life within her brain. A mad desire surged hold of her to rise and shout defiance at those three thousand pairs of hostile eyes confronting her. She clutched at the arms of her chair and so kept her seat. The pibroch ended with its wild sad notes of wailing, and slowly the mist cleared from her eyes, and the stage was empty. A strange hush had fallen on the house. She concluded by giving Joan a hug, accompanied by a sloppy but heartfelt kiss.

“I wish it,” she said, speaking low. And it pleased her that he made no answer but to ask her what he should sing. He had a light tenor voice. It was wobbly at first, but improved as he went on. They ended with a duet. “Poor Mary!” he said. “I should not have talked before her if I had thought. Her horror of war is almost physical. She will not even read about them. It has the same effect upon her as stories of cruelty.” “Well, he talked more amusingly than he wrote,” explained Joan. “Get Boswell’s Life of him. Or I’ll lend you mine,” she added, “if you’ll be careful of it. You’ll find all the passages marked that are best worth remembering. At least, I think so.”